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Our Building  ... continued
 
Mr. Wright, with tongue in cheek, referred to the church design as "pole and boulder Gothic" (these words can be seen in his writing on the framed drawings in the church school hall). He stated that the design was to represent the form of a tent, the ancient dwelling of Israel, as a symbol of temporary, migratory and transient lives. Thus the church appears to grow out of the earth, and even the pulpit area was designed to resemble a cave. The entrance to the building is a gradual descent to suggest a return to God's creation, and to his forgiving and protecting love.
 
As anticipated by Clayton Kantz, the design, based on equilateral triangles, was complex and bewildering to the contractor and the congregation. Only one contractor dared to bid; he was not sure how to build it, so his bid came in at $360,000. This was rejected. After much discussion, members meeting in the home of Helen and Charles Miller voted we would do the building work ourselves.
 
This, of course, involved organizing work parties for months, even years. Since the design was not easy to comprehend nor to construct, the Building Committee had to interpret the drawings to the congregation and the community. Construction depended on the efforts of all the members of the congregation.
 
The mammoth task of organizing a time schedule, making the most of members' skills and inspiring them to keep going all these tasks fell to David Packard, our first moderator, who, in Ray's words, "was a true David when the church confronted a real Goliath."
 
Skilled excavation work was done by our member Del Hansen, a "powder monkey" who had worked on Shasta Dam. He used his expertise to dynamite the site, clearing away the rocks. David Packard, in addition to his organizational skills, "turned out to be a 'rebar' installer as good as any in northern California, " according to Clayton Kantz. "He measured the length and angles for all the reinforcing steel used in the concrete bents and participated in placing the steel in those bents." Members also did the work of installing reinforcing bar for the concrete flooring.
 
Special mention, too, must be made of the work every day of Gwynn Bland, who, with carpenter/foreman Gray Smith, figured out the exact dimensions for forms for the concrete bents, as well as the placement of the wood beams that fit into notches in the concrete to go alone to the outside.

To create the massive rockwork that forms the walls of the church, members of the congregation first gathered 91 tons of rocks all kinds, greenstone, lava, sandstone, etc. To haul the rocks, Ray Welles begged and borrowed flatbed trucks and other vehicles from U.S. Plywood (thanks to our member Ken Morrow). Tom Arias recalls man handling the rocks for the ''sunken garden" area. Mel Hammer and Jim Mallory remember the struggle, as members brought in rocks special to them from faraway places such as Haiti and Tahiti, as well as from various nearby locations some from an old Chinese wall on the Pearson ranch at Ono, some from Iron Mountain mine, many from the area where Keswick and Shasta dams had been constructed in the 1940's.

Mr. Wright had developed a method of construction in the1930's for rock work similar to that used at

Taliesin West. This method utilized forms which we built from donated plywood. We wired rocks to the inside of the forms, and once all of a section was ready, concrete was poured. In various places,  holes were cut in the forms so parts of the rocks would protrude. 

When the concrete had cured, the women cut the wires that held the rocks in place. The forms were removed and reused many more times.

During one period we ran out of money; it was discouraging, meeting in the unfinished building with "wind and weather blowing through those wonderful concrete bents," as Ray says. Mel Hammer recalls that in that depressing time, members decided to "dig a little deeper" and buy a window each, those who could.

 

 

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